The Noun Project collects, organizes and adds to the highly recognizable symbols that form the world's visual language, so we may share them in a fun and meaningful way.
Here is their pledge to you:
Remember those collaborative story games where one person starts a story and then passes it to the next person who adds the next bit. The group continues to pass the story from person to person, each one reading only the last entry and adding something new.
The short film is an ideal medium for developing the “traditional” literacies of reading, writing, talking and listening, a “short” film being a complete text lasting anything up to 30 minutes, but for our purposes ideally no more than ten or fifteen minutes, which means it can be shown two or three times in the course of a lesson if necessary. This is preferable to using an extract from a feature film as it doesn’t require an understanding of the whole work from which it has been taken, and there is a huge range of texts available, from animation to live action, fiction to documentary.
With a minimal understanding of the language of film, teachers can use short films to introduce and reinforce concepts related to reading and writing printed texts, such as narrative viewpoint, plot, characters and setting, as well as developing a greater understanding of the medium of film itself, the medium with which most of us engage most frequently. It is important to emphasise the similarities between printed and moving image texts, as well as the differences, since ultimately they are both about telling stories, and why we tell stories is arguably the reason for studying any kind of texts at all!
At the National Film Board site you can watch full-length NFB documentaries, animations and dramas online - beta.nfb.ca/
Some people tell stories.


What story do you want to tell about yourself?
We are going to read and write about what makes us magic!These HipsRead a story.
by Kate Braid
Some hips are made for bearing
children, built like stools
square and easy, right
for the passage of birth.
Others are built like mine.
A child’s head might never pass
but load me up with two-by-fours
and watch me
bear.
When the men carry sacks of concrete
they hold them high, like boys.
I bear mine low, like a girl
on small, strong hips
built for the birth
of buildings.
There is a story that you can read.
It is by a literacy student called Brenda Meyers.
It is about her favourite body part.
She wrote the story after reading the poem by Kate Braid.
You can see the story here.
Listen to a poem.
You can find the poem to listen to here.
It is called homage to my hips and it is by Lucille Clifton.
A homage is a way of showing respect to someone – or something.
In this poem, she talks about her magic hips.
She also talks about being sexy.
I do not think it is rude.
I think it is funny.
But everybody has different ideas about what is rude and what is funny.
If you think that this will make you feel uncomfortable, do not listen to the poem.
Or if you are worried about people in the program overhearing the poem – use headphones.
You can read the poem below.
homage to my hips
by Lucille Clifton
these hips are big hips
they need space to move around in
they don't fit into little, petty places
these hips are free hips
they don't like to be held back
these hips have never been enslaved
they go where they want to go
they do what they want to do
these hips are mighty hips
these hips are are MAGIC hips
I have known these hips to put a spell on a man and to spin him like a top.